Dame con...  - 2019, paper, ink, mixed media casted in resin, 11.8x14.17 in.
Vergine delle rocce - 2019, paper, ink, mixed media casted in resin, 11.8x14.17 in.
Annunciation 2.0 - 2019, paper, ink, mixed media casted in resin, 11.8x14.17 in.

Dame con...  - 2019, paper, ink, mixed media casted in resin, 11.8x14.17 in. Vergine delle rocce - 2019, paper, ink, mixed media casted in resin, 11.8x14.17 in. Annunciation 2.0 - 2019, paper, ink, mixed media casted in resin, 11.8x14.17 in.

Immaginare Leonardo - Group Exhibition

Theseworkswhere presentedduring 'Immaginare Leonardo’: Group exhibition as part of the events organized forthe 500 years death anniversary of Leonardo introduced by prof.Philippe Daverio 

‘Leonardo
the last arisotelic
and the first engineer’ – Philippe Daverio. 2019

The exhibit had 3 important venues and for each I’veproduced a specific piece. CastelloSonnino in Livorno, Palazzo Genovese in Salerno and Galleria Vittoria in Rome.

‘Asa grown-up he still continued playing, which sometimes made himappear strange and incomprehensible to his contemporaries’ – Sigmund Freud,1910

Faithfullto my path and the idea of playfulness I proceeded in my artistic journey thatsees me ripping apart the surfaces and reunite them again in a single artwork.

Startingfrom the suggestions of what’s around me, I brake down and reassemble theelements keeping the suggestion of the original archetype. Prompting the viewerto perceive figures that are at the same time familiar and elusive.

Leonardo’sknown elements are taken from their time and place and taken to the here andnow. A permanent revolution, a constant game of mutation, in which the knownisn’t anymore known: it has become other, new, elusive, sometimes evendisturbing.


Leonardo Spirito Infinito - Group Exhibition

This workwas presented during ‘Leonardo Spirito Infinito’ at the historical Museo Diocesiano of Velletri. Group exhibition curatedby Claudia Zaccagnini as part of the events organized for the 500 years deathanniversary of Leonardo

Starting from thesuggestions of what’s around me, I brake down and reassemble the elementskeeping the suggestion of the original archetype. Prompting the viewer toperceive figures that are at the same time familiar and elusive. The known Leonardo’sfigures are taken from their own time and brought in the contemporaneity

A constant revolution andgame in which what you think is known is not and has become something other,new, uncatchable and sometimes disturbing. 





Unique, Vibrant, Elegant, Moving Artwork


My roots are steadily planted both in the classical Italian art and in the more free and unchained US approach. 

My mother and grandparents where from Los Angeles and my work is a continuous integration within the historic and visual richness of Roman views and the Californian wideopen landscape and glaring light.

I like to do and show the physical work, the imperfection in the repetition, the uniqueness of the gesture. This is why I mostly use freehand techniques.







The artwork on the site is available to purchase. 

If you have any questions on prices and availability please contact me at Info@rosamariasbiroli.com



Follow me on Facebook and Instagram




Using Format